As a curator, I founded aposteriori, a non-profit curatorial platform – researching, documenting, developing, producing and facilitating innovation in diverse contemporary art practices. I graduated in visual arts and arts administration from the University of Ottawa (Canada), studied Curatorial practices at De Appel (Amsterdam, the Netherlands), and completed my graduate studies in museology at the Université de Montréal.
In 2024, I co-curated Precarious Joys, the third edition of the Toronto Biennial of Art (TBA). My curated exhibitions include Imaginaires souverains; Le présent, modes d’emploi; 7e édition de la Foire en art actuel de Québec, Splendide constellation; Here We Are Here: Black Canadian Contemporary Art; Dineo Seshee Bopape: and- in. the light of this._______, Darling Foundry; Repérages ou À la découverte de notre monde ou Sans titre, articule; Between the earth and the sky, the possibility of everything, Scotiabank Nuit Blanche Toronto 2014.
I am a member of AICA-Canada, the American Association of Museum Curators (AAMC) and of the International Contemporary Art Curators Association (IKT). Additionally, I am a founding member of Intervals Collective and a co-initiator of the Black Curators Forum. I had the great of honour of being a 2021 laureate of Black History Month of the City of Montreal.
CV Available Upon Request
Reading the 2024 Toronto Biennial of Art’s Land Acknowledgment before the event Fresh Arts, Visual Arts: Histories and Legacies on September 21, 2024. Featuring: d’bi.young anitafrika, Pamila Matharu, Sarah Edo, and Winsom Winsom. Program held at 32 Lisgar Street as part of the Toronto Biennial of Art 2024. Partial view of Winsom Winsom’s painting Ancestral Voice, 2024. Photography: Rebecca Tisdelle-Macias.